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EXTERIOR: U.F.O. As seen through the view finder. CLOSE SHOT: Straker fires the mortar launcher. EXTERIOR: OVERHEAD The U.F.O. is struck by the rocket. There is an explosion on one side of the U.F.O. and red smoke pours out. The U.F.O.s rotation becomes uneven, the craft moves away. EXTERIOR...

INTERIOR: TINY ELEVATOR The door closes behind Straker and Lake. There is the SOUND OF AN ELEVATOR MOTOR, and a slight motion as the room seems to rise. LAKE I didn't know about this. STRAKER It's that old 'bloody-mindedness'. The motion stops and the door opens onto the roof of the small...

LAKE Where'd he go? Straker checks the motion detector. A shot is fired at them and they duck behind a corner of the building. TURNER (OFF-SCREEN) (mean) You don't look so big now, Commander. Just come on and get me. I'm Turner, radar operator, class one. I know you, Commander. The Big Man, in...

INTERIOR: MEDICAL CENTER STORAGE ROOM Straker and Lake enter the Medical center room. The room is filled with industrial shelving loaded with miscellaneous supplies. Straker goes to a center shelf, opens a box and brings out a hypodermic syringe and a clear glass drug vial with a red liquid in...

LAKE (astonished) Outside, it was night, but here... (PAUSE) What's happened? STRAKER I don't know. EXTERIOR: STUDIO-OFFICE OFFICE Straker and Lake get out of the car and look around. On the lawn, a GARDENER is mowing the grass. Grass cuttings are suspended in mid-air, unmoving. Near-by a...

EXTERIOR: NIGHT, STRAKER'S CAR A dark night on an English country road. Trees and large hedgerows are barely visible in the dark. In the distance, the southern sky is lit by the lights of London. The car is traveling west. The car passes on. INTERIOR: STRAKER'S CAR Straker is driving, Virginia...

INTERIOR : HALLWAY, SHADO MEDICAL CENTER. A sign on the wall identifies the area as SHADO MEDICAL CENTER. INTERIOR:SHADO MEDICAL CENTER ROOM 1 A sparsely furnished office-examining room with a desk, a glass cabinet with instruments and drug vials in one corner. Straker lies on the bed, dressed...

TIMELASH- rated number 1 episode of UFO by The Anorak Zone and I agree. Below is why, then follows the transcript for the amazing episode TIMELASH One of the last three episodes to be produced, Timelash was completed between July and August 1970. As this episode, thoughtfully shot by Cyril...

Ann has made her way to switchboard on ground floor, desperately trying to replace wires The Man ripped out , to try and make call. Lift 1 arrives at ground floor, Ann runs to main doors desperately pulling at them, but of course not achieving anything. Headlights light up car park, the police...

Ann has carefully got back up to her office. She slumps on seat in office tired, thinking what to do next. The door of her office in the darkness slams shut, she looks up, he's here, he second guessed her, waiting for her. He takes out his knife and advances ,she backs away, he has her...

Ann has reached the 12th floor and is in Mr Parker's office, the head man, the only office with a connected phone line to outside the building. She dials for police 999. The phone is answered, " Hello which service do you require?" Ann, " police and hurry." A nice spoken man answers and asks...

Sam the security man is waiting patiently to go home, his relief is late. Ann's boss Mr Burton leaves the building passing Sam telling Sam Ann is working late. Finally the night man turns up in a state, he's forgotten his anniversary and his wife ain't pleased, so can Sam stay a bit longer so...

Mr Burton is surprised, she's back early, Ann says nothing about the man chasing her, but phones Mark up. Mark assures her she is wrong, they've caught the man, that's why his boss wanted him, she can relax, he's in custody. But, not so, Mark stares at the man, he is bald headed but it's a...

Ann Rodgers returning home from work enters her apartment block, and a suspicious looking bald man passes her on the stairs. He stops and stares at her then hurries on his way. At her door she notices the next door flat door open, and peering inside sees her neighbour, a young lady dead on the...

Moore comes down the stairs , the students hear him and in the hall , Frank says "quickly hide." The students scatter, as Moore walks across hall they emerge from doorways and before Moore can react they overwhelm him and put him out with a squeeze on the pressure points. Frank says " the gun...

Jeffries has the launcher all ready in the staff room, turns to Moore, " told you they'd be no problems, nothing we couldn't handle, didn't need you here at all." Moore calmly replies, " our organisation is paying handsomely for you and Anderson, I'm here to see we get what we paid for, look...

Sally suddenly feels a draught, cold air on her cheek, the others can feel it to, it's coming from the noticeboard on the wall. Mike and Frank heave it off the wall. They feel out and touch wooden doors in the wall. Frank says " this room I remember George saying this was once a dining room...

Sally is fevered she says to the others in the recreation room, " it couldn't have been George, would he just ignore me, well would he." " You are overwrought today Sally," says Frank, " how do you know it wasn't George." " It wasn't his walk, you know how we can tell it's George or the...

Sally back in the day room is puzzled, "Frank why would plumbers use gun oil, I smelt it, like the stuff my father uses on his guns." " They don't use it." " And another thing, I stumbled and the man who was here earlier he is still here, I felt his hand, why is he here?" Mike says, " what's...

Upstairs in the staff quarters Jeffries and Moore unload their gear. Weapons, and mobile rocket launcher, the assassins looking out of the window down into town have a clear path to assassinate the soon to be here heads of States. Sally returns to the recreation room, telling the others...