And I've got nothing against a dark and gloomy console room, if it's done right...
The TARDIS is invaded by an alien presence, and is then destroyed. The Doctor disappears. Ace, lost and alone, finds herself in a bizarre deserted city ruled by the tyrannical, leech-like monster known as the Process.
Lost voyagers drawn forward from Ancient Gallifrey perform obsessive rituals in the ruins. The strands of time are tangled in a cat’s cradle of dimensions. Only the Doctor can challenge the rule of the Process and restore the stolen Future.
I remember the Jade Pagoda.I suppose it depends whether one counts the VIRGIN BOOKS as canon, as to whether one accepts these little additions to the TARDIS mythology, such as this "Jade Pagoda" thing.
I liked a few of them and I think they came up with a few good ideas, but eventually I think they just go too convoluted for their own good.I remember them losing the TARDIS in a swamp in Blood Heat, only for McCoy to steal the dead Pertwee Doctor's TARDIS from another universe.
Like.... what was the point?
I couldn't keep up with the greedy overpublishing of titles - so ended up rejecting the whole lot in the end.
Ditto the BBC books.
In part two of the book series, they teach you how to make a season of DOCTOR WHO without skill or talent.If only it were that easy!
It could have been worse...I remember borrowing one of the BBC Paul McGann ones from the library, called SEEING I.
It was just this grim novel about the Doctor being put in an inescapable prison and tortured - Winston Smith style - with all his usual tricks failing him - and being this damaged, affected person when he left. Then there was the whole "one of his hearts surgically removed" bullshit.
I just always felt that the authors were missing the point of adventures in time and space and trying to graft stuff onto Doctor Who that was ultimately a complete waste of time, because the status quo had to ultimately be restored - and just made for depressing, inconsequential reading.
Yeah...The woman in question clearly studied the chapter: "PULLING FACES INSTEAD OF ACTING" with great focus and intensity.