Having memories of this series, although little memory of actually watching it much, I started this episode wondering if there would be more to it than just a RENTAGHOST type caper every week, and that visually it would be more impressive than just a stage play shot on videotape.
I was pleased to see - and I write here at the half way mark, as it is paused during the commercial break - that the writing is already showing more depth than that.
Arthur English is already giving his character, Bodkin, a degree of poignancy. The clown who nobody wants to hear the jokes of, not even Matt, the stableboy who has never even heard them before. Bodkin comes across as a kindly soul, but one who is sadly resigned to being pretty much ignored and overlooked by everyone.
Behind the daftness, there is sadness. Bodkin's master sounded like a complete and utter tosser (into water no less) and Matt's story of being killed by the cold in the stable means that these characters all(?) lived unhappy lives. There is depth to the background of this show.
I will avoid going into huge, sprawling essays about how this series commits an unforgivable sin by it's contention that GHOSTS ARE REAL IN THIS SHOW, and I will not go into the physics of what can make a ghost sneeze. It doesn't matter.
If we accept the one aspect of the premise, that ghosts are real, then there is a lot of fun to be had with the show.
Have resumed the second half and - after an amusing spot of bellringing with the wailing lady, Peter Bloody Sallis has turned up! I hope this means that, like Catweazle, we can expect to see a varied crop of familiar faces over the ensuing episodes?
Thus follows the resolution of the tale, with a nice bit of teamwork from the ghosts saving the day - and the hall.
Freddie Jones as Sir George Uproar is shown to be, behind the bluster, a completely useless man of decision and action. The crocodile thing was funny and well played by Sallis and Jones.
I thought, when I started, that I might struggle with this show being largely on videotape and on a static set, after the film quality and location shooting of CATWEAZLE, but the opening shots of this are nicely shot on atmospheric film and the performances and writing are compensating and overcoming whatever format it is shot on.
So, at the conclusion of this first outing, I find I like the characters and hope to hear more of their backstory. I hope also that their adventures will continue to be nicely plotted and that more gems of comedy, akin to the lovely crocodile anecdote, will be sprinkled along the way.
Laying the groundwork, so it won't be hitting it out of the park yet, but it still earns itself a solid...
6 out of 10