Review STAR COPS: AN INSTINCT FOR MURDER - Episode 01

Doctor Omega

Member: Rank 10






With the first episode....

AN INSTINCT FOR MURDER

What are your thoughts on this episode....


Nathan Spring is cajoled into applying for the new post of commanding the International Space Police. On his first trip out into space he meets David Theroux, who is suspicious about a spate of spacesuit failures.






On to the next episode....

CONVERSATIONS WITH THE DEAD

https://www.imdforums.com/threads/conversations-with-the-dead-episode-2.3505/






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michaellevenson

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Staff member
Yes, brilliant series, have DVDs and watch it at least once a year.
I if live long enough to get to the Moon as a tourist I fully expect to look something like this series.
BBC got NASA advice with some of the designs.
Favourite episodes;
In Warm Blood
Intelligent listening for Beginners
Little Green Men And Other Martians.
 

michaellevenson

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Staff member
Great first episode. What I really like is that it is very plausible in imagining the near future. If I ever live long enough to go to the moon as a tourist I'd fully expect a Star Cops scenario. Modern technology has not made the show look dated at all. The characters were well thought out and acted. There was some criticism of Erik Ray Evans as Theroux but I thought him fine. David Calder was excellent too.
In this first episode the opening scene with the double suffocation, one in water one in space was clever. Brian Lincoln was the only unsatisfactory character in this, and he got promoted at the end, despite being an idiot. Okay that's a bit unfair, he did sort of solve the drowning, but only after being ordered to get off his backside by Spring.
Interestingly after this was made relations thawed between U.S. and Russia making the cold war rivalry of the plot dodgy, but thanks to Putin the cycle of mistrust is on again so the story here is very possible by 2027.
Killing people for the financial gains of a space suit maintenance contract is low key but chilling. Nathan did work out what was going on rather quickly,but I certainly didn't and didn't suspect the controller of being involved. Thinking about it had to be him, the assailants couldn't arrive without being noticed.
I didn't much like Nathan's fiancee, just not my type I suppose.
The FX was good at least nothing to complain about. The one scene that was dodgy was in the restaurant when a oldy worldy tv is brought to Nathan's table. This I believe was not the original intention, I read somewhere that the script called for the restaurant alcove where Nathan and Lee were originally going to be sat would turn into viewing screens, this was either too expensive to shoot or had other technical difficulties.
All in all a good start to the series.
 
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Doctor Omega

Member: Rank 10
Truthfully, I really, really like this series, but have some problems with it.

If I had to choose between this and Moonbase 3, I would have to say that I would select the latter as the better show.

I think the one drawback for me is largely the dialogue and the pitch of a lot of the performances. Everybody seems to be sniping at each other a lot of the time with hard-boiled soundbites and dialogue that seems a little to self aware of how smart it is, as if Chris Boucher is afraid to have a gentle scene between his characters. That kind of worked on Blake's 7, where nobody got on anyway, but these people are supposed to be working together.

David Calder as Nathan Spring is excellent, of course, but the actors around him, less so. I do concur with the usual highlighting of Erik Ray Evans as the actor who leans on his lines the most. He seems to spend most of the time talking AT people rather than to them - and at an unnecessarily high volume.

Colin Devis is a good character though and is well played. Pal Kenzie is good too. I just feel that the cast, with the exception of David Calder, needed to calm down a bit and play their roles with the naturalism that he did.

I think that Boucher's dialogue does not help their cause. Most everybody speaks in the same world weary way, talking in sage soundbites that - while intelligent - make these people less human beings and more actors speaking intelligent dialogue. I think it detracts from them as believable characters.

The theme tune/song, I feel, could have been dumped in favour of a more Blake/Moonbase 3 style of opening music.

I also think that they should have never bothered trying to keep doing scenes of weightlessness and should have fallen back on the old artificial gravity thing, and concentrated on other aspects of the show. The nadir of this business is the old hair gelled up on their heads scene.

When I first saw the show, I felt that box was a more polite rip off of Orac. Chris Boucher has said that when it spoke it should have been audio-wise as if David Calder talking to himself, volume and tone wise, so that you were sometimes unsure which one was speaking, instead of the obvious "voice in a box" audio that we get, where we can completely tell them apart.

All those negatives of mine out of the way, despite all of that I - perhaps surprisingly - really genuinely like the show and often put it on the dvd player and felt it had great potential. I just feel it needed more sympathetic production, more of a mix of character types to balance out the weight of cynical, smart talking characters and the majority of the actors needed to consider using more subtlety in their performances.

In terms of the premise of STAR COPS, the opening episode sets the show up nicely.

Ultimately the early strangulation of the show by those sci-fi hating suits is extremely sad. The potential was there for a really solid show.
 
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michaellevenson

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There was a hint of Hill Street Blues in the way the characters, shout, talk over each others lines etc. I quite like the fact that they never seemed to like each other much. I agree some of the dialogue is too smart arse.
Which is better this or Moonbase 3 ? Very very tricky question. Star cops looks like a better representation of 2027, they really seemed spot on in some of the futuristic elements, Moonbase 3 the better written and scientifically interesting show.
By episode 2 the artificial gravity setting of Star Cops base would kick in, so there's not too much more floating about except in certain work areas particularly in ep.4, so that's good . Box I believe had some technical problems and was used less on later episodes, in episode 9 it sounded like it had laryngitis!
 
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Doctor Omega

Member: Rank 10
I found the characters in MOONBASE 3 more likeable and realistically played, generally - and Donald Houston as - spookily - David Caulder was an excellent lead. That opening when he turns up, cheerfully charming them throughout the enquiry, before ripping them to shreds is awesome - and I would love to have seen something as well done as that in STAR COPS.
 
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michaellevenson

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Staff member
Wow fantastic news. I can hardly wait. Been looking up on the cast, Sayo Inaba is still around, so sorry she's not in it, Erik Ray Evans sadly died in 1999. Never realised that Trevor Cooper and David Calder are not that old, they were in their early forties when they did the show. So really looking forward to it.
Next up for Big Finish ? Ace of Wands - missing episodes reconstructed, got to be!
A little bit sorry they are going to alter the theme tune. Okay, it's not the best, but with the Dr Who stuff Big Finish have always maintained the correct theme for whatever Doctor is featured, so I'd like the Justin Heywood theme, possibly jazzed up, maybe a instrumental version.
 
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Doctor Omega

Member: Rank 10
Yes, I was a little ambiguous about the changing of the theme tune. It was often derided as a cheesy aspect of the show and Chris Boucher thought it inappropriate. But it is such a recognisable part of the mix now that anything else will seem a little odd and... inappropriate.

I suspect that Boucher is also behind the removal of Anna Shoun. He was against the character being in the show in the first place. Stupidly i.m.o. Sometimes writer's are not the best judges of their own creations.

And I wonder if DEATH ON THE MOON might finally get an adaption?

https://www.imdforums.com/threads/death-on-the-moon-episode-cancelled.3545/
 
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michaellevenson

Moderator
Staff member
This Friday Feb16th ;
S01E01 An Instinct For Murder

Set in the year 2030 , Nathan Spring, an experienced Earth based cop , finds himself manoeuvred into accepting a case " out there" on The Moon, when space suit failure levels increase.

David Calder.....Nathan Spring / box
Erick Ray Evans....David Theroux
Moray Watson......Commander
Keith Varnier.....Controller
Gennie Nevinson.....Lee Jones
Linda Newton......Pal Kenzy
Andy Secombe......Brian Lincoln
Frederik de Groot.....Hans Diter
Luke Hanson.......Lars Hendvorrsen
Katja Kersten.....Marie Mueller

Directed by Christopher Baker
Written by Chris Boucher
transmitted 6th July 1987.
 
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Cloister56

Member: Rank 3
Good timing to do this with Big Finish releasing audiobooks later in the year. They are usually good I've enjoyed the Sapphire and Steel, The Omega Factor and The Prisoner ones.
 

michaellevenson

Moderator
Staff member
This second show The Sages will be doing is Mad Pac's idea, and he would like to maintain The Sages tradition of starting on Friday, so please leave reviews until then, however if convenient you could watch it whenever is cool for you.
Thanks
 

Gavin

Member: Rank 6
VIP
Wow, looking at the list of shows you've done I wish I'd discovered this group a few years ago. There are a lot of shows I'd really have enjoyed watching as part of a group, some extremely good shows which I've seen bits and pieces of and some guilty pleasures that perhaps aren't the same quality, but that I remember enjoying when they first screened (or the repeat that I may have seen them on for the first time).
 

michaellevenson

Moderator
Staff member
Good first episode, if ever I live long enough to get to The Moon, if passenger flights become routine, I'd expect it to look a little like this. Very brave of the production team to tackle the weightless issue of early life on Earth orbit stations. The floating fx looked okay. The general conjecture here in this series gathered from watching episode 1 is that private enterprise had a big say in the construction of the orbit stations. The Choral Sea station where Officer Pal Kenzy was situated was part of The Allied Pacific Consortium.
Nathan Spring is politically manoeuvred into the job and it'll be interesting to see a ' leader' that doesn't really want to be there. The story had a nice twist, I had no idea that Theroux 's mate was involved, but thinking about it, he had to be really being the traffic controller. The fx overall I thought was fine, the only exception was the tacky portable tv at the restaurant table. But apparently that wasn't intended in the script. The original idea was that Nathan and Lee were going to be sitting in an alcove , and the walls turned into tv screens, but that idea was scrapped either due to cost or technical difficulties.
Nathan's device Box is clever , today we'd call it a personal browser that he carries around with him, one that does a lot more and is voice activated. Very useful device, I'd like one please.
All in all an interesting start.
9/10
 
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Brimfin

Member: Rank 3
I admit to being confused by the opening as we witness parallel murders happening in different places. Being brand new to this show, I wasn’t sure that the swimmer wasn’t the man in the space suit using some hologram program or something. (Although if he were, he wouldn’t be out in space but in some simulator.) It only took a few minutes to confirm that these were totally different murders despite seeming almost identical in execution. No harm done.

We meet our hero, Nathan Spring, age unknown – except that he’s not old enough to retire but he’s still young enough to think about starting a family. He’s pressured into taking the job as the new commander of the International Space Fleet – his boss put the paperwork in for him and woouln’t let him withdraw his name. He tries to flunk his interview but finds he could do no wrong. Well, he didn’t really try that hard – he just seemed to figure honesty would eliminate him. He ends up doing such a bang-up job out there that he can’t quit. Further, since he had his Earth assistant Brian follow up on his hunch on the Earthbound murder Brian got the credit and moved up into Nathan’s old job. Some jobs just kind of seek you out instead of vice versa.

I’ve only now looked up a little info on the show and found it was made in 1987 and set in 2027. I would have thought it was a little more modern than that. I’m impressed; so far it’s aged well. The production values are good – fancy sets and such. The only problematic scene was when Nathan and Thoreaux and supposedly floating through a corridor and it was obvious they were superimposed on it. That’s not really a problem. I watch ONCE UPON A TIME on Netflix and there are plenty of times I can tell the Evil Queen is not walking through her castle but through something computer generated. Besides, the scene was brief and mixed with side-angled shots which looked normal.

When you’re doing a show set in the future, it’s always fun to see how accurate they are and what kind of stories they do interpreting what the future will bring. There was a show called CENTURY CITY here some years back and I can only tell you it made the future look positively ghastly. So far, this is more positive. Nathan has a box that’s similar to a personal assistant type device of today, just much bigger, and more expensive from the sound of it. The name Star Cops we’re told was a derogatory slang term that just stuck – probably inspired when Reagan’s Strategic Defense Initiative got derisively labeled Star Wars because of some nitwit’s comment.

The method common to both murders in the story is trying to outwit the computer. Computers have a more active role in the future deciding what cases seem suspicious and which don’t. The murder on Earth is staged to look accidental to fool the computer and keep the police from checking further. Nathan has his suspicions and has his investigator Brian keep looking and he eventually finds out the truth after investigating. One small hitch is that he meets a witness after he falls asleep near the spot of the murder. But we are told the witness said the victim couldn’t have swum in from that spot as he was elsewhere giving him directions. Presumably the witness was there because he frequented the area, but in that case why would he need directions? Minor nitpick.

The Earth murder was the result of a wife paying to have her husband killed to collect his insurance and pay off gambling debts. The spacebound murder is even more cold-blooded. If I understood correctly, normal spacesuits had about a 2% failure rate. The Russians advertised an improved model, and got the spacesuit-making contract as a result. A company wanting to get the lucrative contract was deliberately killing people making it look like suit failure so that the failure rate would go above 2% and his company could get the contract. The usual TV corporate villainy, exaggerated to a ruthless degree, yet not totally unbelievable. The Russians had tried to cover up their supposed failure by blaming one of their own people for negligence. We are later told she was executed before the case was solved and the truth came out. Considering the small length of time that had passed, that seemed rather cold even for the Russians.

I give the writer & director credit for a solid ending. Nathan goes out on his own to draw out the criminals. Thoreaux tries to warn him only to get a gun shoved in his neck by the controller and told that the signal was being jammed anyway. We follow Thoreaux being led by gunpoint only to have Nathan appear posing as a disembodied spacesuit and yank the gun away. I thought at first that Nathan had sent out an empty suit into space, but he explained that he took out the baddies with a medical laser puncturing their suits and killing them.

My main problem with viewing the show was that it did not have closed-captioning or subtitles available. There was a lot of fast-paced banter going on, but I couldn’t pick up a lot of it. I know Thoreaux and the controller were playing a “name the movie from the quote and give me the next line” game, but I missed most of the game's dialogue. Later, Nathan chimed in with a movie line and said, “What, you think you two are only ones who’ve seen movies?” I did like a bit where after being spun around in his space training, a computer asks Nathan to describe his level of nausea. “Some of it is in my lap,” he replies. I’m sure there was a lot of detail and description I missed because I couldn’t hear or make out all the dialogue.

One other minor note was when Spring was trying to find out who would profit from the Russians losing the spacesuit contract, he arbitrarily tosses in, “and look for any right-wing extremists.” That line seemed to be stuck in there just for a political shot (especially since it had zero bearing on the solution); one reason I thought the show was more recent. Why couldn’t he just have said, “Look for members of any extreme fringe groups?” Just a minor annoyance; not enough to wreck the episode.

Overall, an interesting show and more serious than I was led to think by comments made by others in the past. And I do love the Moody Blues theme, but then I love their music too. I’ll give this episode 7.5 antique timepieces, which our Earth victim loved to collect.
 

ant-mac

Member: Rank 9
An enjoyable first episode, that begins to effectively build the world in which the TV series is set. This is really a TV series that should be watched in conjunction with - preferably after - another short-lived TV series called MOONBASE 3. Chris Boucher did quality work on BLAKE'S 7 as both scripter editor and writer and he follows that up with further quality work as the creator and a writer of this.

In my personal opinion, Nathan Spring is not an easy character to like to begin with, but he still shows signs of promise in the first episode. I'm sure he'll be easier to warm to as the TV series progresses. However, the one thing I won't be able to warm to is that bloody theme song. It might be a nice enough tune as songs go, but for the theme of STAR COPS, I just find it jarring and out of place.

4/5.
 
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