Highly Recommended
Die Hard (1988) (American Action) (repeat viewing) – A New York cop rebels against a group of European terrorists after they take over a high end office building. Considered an action classic and it deserves to be recognized as such given it’s appealing pace and exciting confrontations. The portrayal of the hero as a normal cop who is in way over his head really works well. Much of this is a credit to John McTiernan’s energetic direction and Alan Rickman’s antagonist performance that allows for an engaging film even when the protagonists are off screen. There are even some genuinely funny moments to be had. Heck, even the abundant product placement is expressed in entertaining ways. The last shot of Rickman has to be one of the greatest of all time.
Christmas Vacation (1989) (American Comedy) (repeat viewing) – The Griswold family’s plans for a big family Christmas predictably turn into a big disaster. This is a classic holiday film that stands the test of time. Chevy Chase is perfectly cast for the role, and some of the supporting cast are memorable as well. Lots of funny moments to enjoy. Some of my favorite scenes include the squirrel and the next door neighbors.
Recommended
Rampant (2018) (Korean Horror/Action) – Set hundreds of years in the past, a zombie outbreak occurs in Korea. The genre elements (horror and action) are well done and entertaining. It’s fun watching protagonists take down zombies with swords and bows. The fighting does use some variety, especially near the end when Hyun Bin breaks out some cool moves. The finale is lengthy and totally satisfying. There is also a human conflict involving the head of the military. This feels like the zombie threat is intermingled with a human threat that could be worse, which makes things interesting. Good production values.
On Your Wedding Day (2018) (Korean Romantic Comedy) – A young man falls for his classmate in high school, but they break up due to events beyond their control. Later on, he attempts to find her and strike up another relationship. This movie does a good job of showing the difficulties of maintaining a relationship. When compared to other films of this kind, it is fairly realistic and the character interaction is natural. Humor is mostly laid-back.
Kaiba (2008) (Japanese Anime Drama Television Series) – In a futuristic dystopian world where memories are literally stored, bought and sold and rich have all the privileges, a young amnesiac is trying to find out who he is. This is another good one by Masaaki Yuasa. Like many of this director’s works, the animation is creative and fun. Here it has an old school vibe, with some interesting character designs and environments. Some of the worlds are very creative and fun to look at. This is on the weird side for sure, and it does get confusing at times, but it’s certainly interesting. This is 12 episodes, 24 minutes each.
Home Alone (1990) (American Comedy) (repeat viewing) – An eight-year-old troublemaker must protect his house from a pair of burglars when he is accidentally left home alone by his family during Christmas vacation. The plot drags a bit during the middle, with the kid putzing around the house. The runtime of 103 minutes actually feels a bit too long. The burglar stuff doesn’t really ramp up until after the 70-minute mark. The finale is definitely fun to watch and has some painful-looking beatings, but it should have been a longer sequence.
The Visitor (1979) (Italian/American Horror) – The soul of a young girl with telekinetic powers becomes the prize in a fight between forces of good and evil. The script is very weak. The story meanders around and is very vague; the lack of details and explanations for many events will annoy a lot of viewers because the film is stilted and somewhat disconnected. At times, it makes no sense. Still, there are some memorable scenes here, like the opening, the hawk-inflicted attack in a car on a highway, the ice-skating assault, and the room of mirrors. Score and sound effects are creepy. Weird flick, but I kinda liked it.
Not Recommended
Basquiat (1996) (American Drama) – The life of Jean Michel Basquiat, a world renowned New York street artist struggling with fame, drugs and his identity. This has one of the most loaded casts of any film in existence, so I had to check it out. Unfortunately, this is a mostly shallow film that is almost saved by a small handful of interesting moments here and there, as well as some good performances (even though most of the cast are wasted in bit roles).
Haunted Honeymoon (1986) (American Comedy) – A man (Gene Wilder) takes his fiancee home to the castle where he grew up, among his eccentric relatives. The scenes in the radio studio at the beginning are funny, but this quickly loses steam with its constantly awkward humor that is mostly lame. This is more difficult to sit thru than I had expected.
The Tatami Galaxy (2010) (Japanese Anime Comedy Television Series) – A student is visited by a demi-god and attempts to woo a love interest. This was directed by Masaaki Yuasa, so it’s surprising how bad it turn out. This show pissed me off within the opening 5 minutes. The monologues are so complex, so numerous and fly at such incredibly fast speed that the viewer will likely get a headache from reading the neverending mass of rapid-fire subtitles. Even worse, the “protagonist” is an obnoxious twit who belts out these excruciatingly monotonous and stupid ramblings all the time. I felt like punching him in the face during every single episode. This is not funny . . . at all, which is quite surprising given the director. Most every joke falls flat on its face. Yeah, it’s nicely animated, but I need more than that.
Bottom of the Barrel
Dokumushi: Toxic Insects (2016) (Japanese Horror) – Seven strangers are locked up in building and are coerced to murder one another in a restricted period of time. This premise has been done to death, and this flick represents one of the worst attempts. It’s glacially paced and lacking in anything interesting, fun or memorable. It’s ridiculous how much of the runtime is spent with characters sitting around, doing nothing. There’s no sense of urgency at all! The death scenes range between lame and pretty good, with only a few corpse shots and moments that are sufficiently gory. Rina Takeda is the only actor who does a decent job; everyone else basically sucks. The acting talent is abysmal. It almost feels like Rina is degrading herself by being in this flick. The school environment is boring, with nothing in terms of cool lighting or atmosphere. (Viewed without subtitles.)