plsletitrain
Member: Rank 5
Thy Womb (2012)
I would classify this as one of Brillante's strong ones. This actually has a plot worth following, as opposed to some of his films that seem pointless. He incorporated cultural values while depicting rural life of our Muslim brothers. He also made use of natural locations and natural elements such as seas and animals (the movie takes place in a floating rural village--one where people need to ride a banca to go to places) which made the film more interesting to the eyes. There is still the Brillante trademark of long shots (imagine a scene where someone was counting 8,000 using 100 bills--too long but tolerable) but this one is more interesting because we are getting a glimpse of the lives of people who live in these areas. Its like learning in entertainment form.
The story is about a Muslim couple, Shaleha (Nora Aunor) and Bangas-an (Bembol Roco), who thrives a living by fishing, selling, weaving, and midwifery. The opening and ending shots are all related to the title Thy Womb because they show childbirth (actually the opening scene featured actual childbirth, and by actual I mean really showing the head of the baby coming out of the vag--something he likes to do as I've observed he also did this in another movie), whilst the actual plot of the story has less to do with that. The "conflict" in the film starts when Bangas-an decided he wants to have a child but Shaleha cannot give her one. They embark on a search for a possible second wife in the person of Mersila (Lovi Poe). Actually Lovi Poe has little screentime here, but she's just too beautiful to be ignored, her presence is so compelling. Mercedes Cabral is here too, with less screentime. She plays a woman who wedded (this film portrays Islam as a religion and as a culture so I applaud the film for that--can't attest to the accuracy though as I'm not a Muslim but nevertheless nothing offensive or controversial was done here, unless you count the killing of a live cow as too provocative). Shaleha proves how much of a loving wife she is by supporting her husband in this search, finding money to be given as dowry. That's basically how the story goes. But you can always count on Nora Aunor and Bembol Roco to bring out the best in a film by their portrayals, simple yet compelling.
Highly recommended.
I would classify this as one of Brillante's strong ones. This actually has a plot worth following, as opposed to some of his films that seem pointless. He incorporated cultural values while depicting rural life of our Muslim brothers. He also made use of natural locations and natural elements such as seas and animals (the movie takes place in a floating rural village--one where people need to ride a banca to go to places) which made the film more interesting to the eyes. There is still the Brillante trademark of long shots (imagine a scene where someone was counting 8,000 using 100 bills--too long but tolerable) but this one is more interesting because we are getting a glimpse of the lives of people who live in these areas. Its like learning in entertainment form.
The story is about a Muslim couple, Shaleha (Nora Aunor) and Bangas-an (Bembol Roco), who thrives a living by fishing, selling, weaving, and midwifery. The opening and ending shots are all related to the title Thy Womb because they show childbirth (actually the opening scene featured actual childbirth, and by actual I mean really showing the head of the baby coming out of the vag--something he likes to do as I've observed he also did this in another movie), whilst the actual plot of the story has less to do with that. The "conflict" in the film starts when Bangas-an decided he wants to have a child but Shaleha cannot give her one. They embark on a search for a possible second wife in the person of Mersila (Lovi Poe). Actually Lovi Poe has little screentime here, but she's just too beautiful to be ignored, her presence is so compelling. Mercedes Cabral is here too, with less screentime. She plays a woman who wedded (this film portrays Islam as a religion and as a culture so I applaud the film for that--can't attest to the accuracy though as I'm not a Muslim but nevertheless nothing offensive or controversial was done here, unless you count the killing of a live cow as too provocative). Shaleha proves how much of a loving wife she is by supporting her husband in this search, finding money to be given as dowry. That's basically how the story goes. But you can always count on Nora Aunor and Bembol Roco to bring out the best in a film by their portrayals, simple yet compelling.
Highly recommended.