Review BLAKE'S 7: SPACE FALL - Episode 02

Doctor Omega

Member: Rank 10
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Your thoughts and views on this, the second episode and the first appearance of you know who.....


Blake takes the prison transport ship "London" under siege with help from Kerr Avon and Jenna Stannis. But when the siege fails, Blake, Jenna and Avon are sent to investigate a abandoned alien spaceship, where Blake decides to take to control of the ship and escape.





On to the next episode.....

CYGNUS ALPHA

https://www.imdforums.com/threads/cygnus-alpha-episode-3.3315/


Back to the previous episode....

THE WAY BACK

https://www.imdforums.com/threads/the-fight-against-the-federation-starts-here.3309/
 
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Doctor Omega

Member: Rank 10
none other than Tarot from Ace Of Wands, Michael McKenzie.

I had no idea until you mentioned it! Another excuse for me to re-watch the episode though! :emoji_alien:

A good, efficiently written episode, continuing to establish the show and pretty much finalising the format in it's last moments.

It has a job to do and does it well. A good villain in Raiker too.


Another

7 out of 10
 
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The Seeker

Member: Rank 6
So the prisoners on the ship are Blake’s future crew, eh? Vila made a strong impression. Good thing for him he was claustrophobic - that poor man who got trapped in the shaft!

Avon’s got a mean right hook. He’s mercenary but we know he’ll emerge a hero. The whole ensemble is shaping up very nicely.

How ruthless is Limpy? Willing to shoot his own men down to get rid of Blake.

Where did that ship come from? I guess we’ll find out in a future episode. And what was that mind control thing? Did they truly get rid of it? It certainly dispached the Federation troops quicker than our heroes. Speaking of heroes, well it’s both refreshing and cliched to see they’re all extremely flawed. They’re a bunch of prisoners, after all.
 

michaellevenson

Moderator
Staff member
An additional point about Commander Leylan, we may ask why was he nice to Blake, Avon and Jenna, and promised to get their sentences quashed?
Well if he was serious about reporting Raiker for the murder of prisoners, then he'd need witnesses absolving him or he could be implicated.
 

The Seeker

Member: Rank 6
An additional point about Commander Leylan, we may ask why was he nice to Blake, Avon and Jenna, and promised to get their sentences quashed?
Well if he was serious about reporting Raiker for the murder of prisoners, then he'd need witnesses absolving him or he could be implicated.
Maybe he figured his crew was faithful to him.
 

chainsaw_metal1

Member: Rank 8
I forgot how much I love Kerr Avon. He is the perfect companion for Blake. While Blake is still naive enough to have these lofty goals, Avon knows who he is and what he wants - enough money to be left alone. And he is also an enigma. We're told he's merely intelligent, with little in the way of survival skills, but then we see him easily take out the guard in the computer terminal. He's rather rude and to the point, but I think there just might be a dreamer hiding in there somewhere. Who knows?

Jenna is awesome. Not too over-sexualized, but enough to give you pause, and make you wonder if she's just a pretty face, or if she can hold her own. Vila is a great character, that comic relief who is a coward but one who has skills you need to operate a crew like this. I hope we see more with Gan as well, because I dig his character.

I did have to laugh at the scene where they hook up to the Liberator. Seeing the boarding tube stretch out, it immediately reminded me of Red Dwarf, and all I could think was "Wow, in ten years time, the BBC effects department did nothing to advance practical effects".

And we have Leslie Schofield as the token asshole, which makes sense since he was Calib on Doctor Who and an Imperial Commander on Star Wars. He just has a face you love to hate. It did me some good to see his fate in this episode.

Still a solid story, and it seems to be setting up some great things for future episodes. I can't wait!

EDIT: I forgot my rating! Let's give it a 9/10!
 
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ant-mac

Member: Rank 9
Captain Leylan, Sub-Commander Raiker and Officer Artix are the flight crew of the Civil Administration spacecraft London - and along with several armed guards - they constitute its crew. After ordering the highest level of suppressants to be administered to the prisoners' rations, Leylan and his crew take the spaceship on an eight-month journey to the penal colony Cygnus Alpha. The space vessel has mess facilities, sleeping bays and a recreational area for both the crew and the prisoners. While the prisoners have no rights, the captain has the right to order the execution of any prisoner who disobeys any order or causes any trouble for the crew.

Blake is introduced to Kerr Avon, who used his technical prowess to almost succeed in stealing five million credits from the Federation banking system. Realizing that he now knows a good pilot - Jenna Stannis - a lock-pick expert - Vila Restal - a large, powerful man - Olag Gan - and a computer specialist, Blake devises a plan to hijack the London. However, due to misfortune and poor co-ordination, the attempted takeover fails and the responsible prisoners are put in restraints.

After the aborted hijack attempt by the prisoners, the London encounters an abandoned, unidentified spacecraft, which might have been caught up in a nearby space battle. Raiker persuades Leyland to capture it for a salvage reward, so the captain sends some of his crewmembers across to board the alien spaceship, but none of them come back safely. Leylan then lets three prisoners - Blake, Jenna and Avon - explore it for them. The trio do so, killing Raiker in the process and taking over control of the new space vehicle, once Blake disables its deadly traps and Jenna successfully finds a way to pilot it - allowing the trio to escape.

SPACE FALL by Terry Nation continues the good work begun in THE WAY BACK and helps to establish more of the world in which BLAKE'S 7 is set, along with introducing more interesting character. Gareth Thomas again does well as Roj Blake, as does Sally Knyvette as Jenna and Michael Keating as Vila. The introduction of Paul Darrow as Kerr Avon and David Jackson as Olag Gan are also welcome additions to the proceedings.

Glyn Owen as Captain Leylan, Leslie Schofield as Sub-Commander Raiker and Norman Tipton as Officer Artix represent the authority figures this time around, with the addition of a handful of guards. It's nice to see that they are represented as a reasonably diverse group of characters, with a mixture of behaviours and personalities. There are one or two bastards amongst them, but the majority just come across as working-class stiffs trying to do their job. I enjoyed the fact that the makers avoided the use of that old cliché of making all the bad guys nasty and unlikable. The bad guys weren't all dehumanized and faceless and there were even scenes of the guards chatting and interacting with some of the prisoners. All in all, a very enjoyable second episode.

4/5.
 

Cloister56

Member: Rank 3
So as I have a little free time I thought I would get on with episode two.
So first of all a little model work. I always like models in sci-fi, from Red Dwarf to Doctor Who it usually looks good and I love it when they do little things to make it look authentic, like radar dishes spinning.
The brief look at the London we get is good, it looks functional as prison transport probably should. I'm not keen on the little smoke sparkler to indicate the engines. It doesn't make much sense in space and I think it would work better without it.

The crew of the London are an interesting bunch. There don't seem like a nasty bunch apart from Raiker and perhaps Dainer. The guards even seem to socialise a bit with the prisoners. We get to see other sides of them like Artix studying for his exams which helps to humanise them.

I was a bit unsure about the conversation about a female passenger between the captain and Raiker. On one level it seems like the Leylan knows what goes on but just wants it kept on the quiet. But then the look on Raikers face seems a little disgusted. I thought that maybe he is offering the deal on behalf of the Leylan. But then later in his conversation with Jenna he seems to be relishing the thought of her agreeing.

Raiker is an effective villain for the episode and he isn't over the top. He is taking extreme action by killing the unarmed convicts but I imagine he would justify it as the threat Blake's escape is to the ship and it's crew. His casual killing of just one more prisoner after being told the escape is over just rams home his wicked nature. His death is fairly satisfying.

Leylan is a convincing commander, he tolerates Raiker's actions to a point but will reprimand him when he oversteps the mark. I wonder if he finds Raiker useful to do the unpleasant things and then he can distance himself from the results. Overall he is a nice multifaceted character, he does some decent things but then turns a blind eye or even sanctions some terrible things.

Jenna's smirk after she has whispered to Raiker is very amusing, she knows the blow is coming but she is enjoying putting him in his place. We are learning a little more of her motivations in this episode. It seems to me that she admires Blakes optimism and wants to spark that in herself, but her more realistic side continues to make her skeptical.

We meet Ker Avon who makes an immediate impression. He is sarcastic and condescending but there is undeniable charisma there. He gets to be a bit of an action man, overpowering the guard in the computer room. He seems to relish the idea of going across to the ship, or at least there seemed to be a mad fire in his eyes. That would seem to fit with his interest in computer and technology.

Blake continues to show himself as an effective leader. He knows how to work with Avon, there is no point lying to him but pointing out what he already knows about his available options and their downside works well.
I assume his experience with brain washing and mind probing before makes him more resilient to the ships attack. The other explanation is that the ship mistakenly used Blakes memory of his relatives to draw him in but unlike the other 2 Blake knew they were already dead so broke free.

I really like Vila so far, especially when he is saying how underhanded the presumed plan of Avon's is before immediately suggesting they kill him instead. He is clearly not fond of direct action but is willing to play his part in the escape. His panicked obeying of Gan's "drop your guns" was a little over the top but was still amusing.

At this stage in the show we still don't know really who will become regulars so it does a good job introducing both Nova and Gan either of which may go onto be significant. Eventually Nova's death, was surprising and terrible especially where he calls futilely for help. It helps to show the dangers of their situation.

Gan is an presence in every scene due to his size. It was nice that he was floating around throughout the episode long before he is really established as more than an extra.

We get our first look at the ship. The fact they had such a good model makes it bizarre they use the paper cut out one in the intro each week. They even use a better cut out version at the very end of the episode.
I love the idea of an abandoned advanced spaceship. Full of technology to explore and allowing you to go where you want.
The inside of the ship looks very good. It seems they spent a bit of money on the bridge and it's solid and well designed.

A few final thoughts:

Did anyone else think the guard Gan throttled looked like Peter Kay while he was being throttled, strangely he doesn't later?

The chairs on the ships bridge remind me of the Tentacles from Day of the Tentacle.


So in summary a good follow up episode. It seems we have 3 at least of our 7, lots of potential to be explored with the ship and we still get to see Signus Alpha.
8 tentacle seats, out of 10
 

ant-mac

Member: Rank 9
Wow, just think of all the old ladies, orphan kids' homes and animal shelters whose savings and retirement funds Kerr Avon stole! Because, really, a bank only has money because regular folks decide to put their money in it, and tampering with popular economy is a deadly blow against the little guy... :emoji_imp: :emoji_fearful: :emoji_cold_sweat: :emoji_pouting_cat: :emoji_cry: :emoji_rage:
Three points...

The first point is that Avon didn't succeed.

The second point is that we don't know for a fact that the Federation banking system and the civilian banking system is one and the same. Commercial and consumer banking in Australia is dominated by four major banks. They are the Commonwealth Bank of Australia, Westpac Banking Corporation, Australia and New Zealand Banking Group and National Australia Bank. There are also several other financial institutions, such as smaller banks and credit unions. There's also a central bank, known as the Reserve Bank of Australia provides services directly to the government and manages Australia's currency, money supply and interest rates. So it really depends upon which type of bank Avon attempted to rob.

The third point is that Avon and his colleagues are prisoners on a spaceship, being sent to a penal colony on a distant planet. With the possible exception of Blake, the rest of them are most likely criminals. So I'm guessing this means they committed crimes.
 

Cloister56

Member: Rank 3
Which is funny because it's too fast for conventional propulsion and way too slow for warp speed or hyperdrive. If it takes eight months to get to a nearby star, how long will it take to go from one extreme of the Federation to the other? Not practical.
It will be interesting what in universe method they use. We hear them say "set time distort" it's not clear what that means. Is time distorted for the people on board so that the 8 months goes by in days.
This would fit more with what we see and would solve the Jenna hair produce problem (and Blake, do you think that hair maintains itself?)
 

Cloister56

Member: Rank 3
Yes it would have been nice to see some stars whooshing as the London travels into hyperspace but in an interview with one of the fx guys he reveals their fx only budget was £50 per episode!! Bloody hell, that was about $100.
I don't mind special effects that aren't great and I realise that the quality will vary throughout a show.
The strange thing (and I'm not going to keep going on about it I swear) is that your intro is the thing everyone sees every week. I would have thought it would be where you would spend a little more money on your effects or cherry pick the best effects to have featured in it.

The Federation use " time distort" to measure speed, as in Time Distort 5 or whatever, and this was mentioned at the start when Leylan then complained about " shift vibration".
It's interesting how shows decide to do this. Do they go with one of the established tropes like Warp or Hyper Speed or do they make up their own. I like it, it sounds suitably advanced but easy to work out a ship going at Time Distort 2 will be slower than one going Time Distort 5.
 

ant-mac

Member: Rank 9
Sure, we don't know how the banking system and the entire economy work. But normally stealing public funds from the government is not the victimless crime many people want to believe it is. It usually has rippling effects all over the economy.
Very few crimes are victimless.

Often, something that's wrong is not considered a crime.

What was done to Blake was wrong, but I doubt anyone was charged with committing a crime.
Yes, that's what I would expect, so at some point Black will have to stop Avon from committing yet another crime and might even question his decision to let the others loose in the world.
Will he? What if he can't afford to?

He might need their help to achieve a greater good - at least in his opinion...

Based upon what's happened so far, he looks pretty determined to strike back at the Federation for what it's done to its citizens.
 

ant-mac

Member: Rank 9
True. But this is an excuse used by many criminals, "But it's a victimless crime!"
"It's a victimless crime" is often a close relation to "the ends justify the means".

The bad may sometimes use the former, but the later can be used by anyone - good or bad.
The fact that something wrong may not be considered a crime doesn't necessarily mean that something considered a crime is right. Anyway, I was specifically referring to crimes against popular economy, which are covered by law # 1.521/51. You may disagree with some items of this law, but I'd say this, in principle, is a good example of something that is wrong AND is a crime.
I never once implied that something considered to be a crime is right.
As for what happened to Blake, it's too early to tell. So far we've only heard one side of the story, and I'm sure your enemies wouldn't necessarily paint a good picture of you. Or maybe Blake *is* a dangerous extremist, the Federation is fighting some delicate cold war or something and sometimes a necessary evil is required. There could be several different explanations. But if there's a simple absolute answer to the question "Was what happened to Blake wrong?" only *two* episodes into the show, then that diminishes the quality of the show's writing.
Are you seriously attempting to defend an organization that drugs its citizens, lies to them, slaughters them - often in cold blood - and exposes their children to the mental torture - if not the physical torture - of sexual molestation?

Please feel free to give your several different explanations as to how this "necessary evil" could possibly be acceptable in any civilization. There were several other alternatives that would have been preferable to rational individuals who worked for a reasonable, if authoritarian, government.

And as you don't know what might lay ahead for the cast of BLAKE'S 7, how can you know whether two episodes is too soon, too late or just right for people to start making up their minds about the lead characters overall situation? Or about the quality of the writing based upon this fact? This TV series isn't STAR TREK - THE ORIGINAL SERIES, so please don't assume that the general status quo shown at the beginning will be the same at the end. This time around, there just might be a few twists and turns - and character development.
A wise man always questions himself.
Absolutely, but it doesn't always lead to action based upon those questions.
In that case, he won't be able to afford looking a gift horse in the mouth, and will just have to accept his luck... After having seriously questioned his decision.
As I previously indicated, just because he might question himself, it doesn't automatically follow that he will change his actions because of those questions.
Yep. At least that's what he tells himself every night. It's *all* for the children. (LOL)
Well, certainly those children who may have been left scarred for life by the intervention of Federation medical staff into their minds and memories.

And is that idea funny for some reason?
I know I'm being provocative, but in theory that could be true, although by your replies I sincerely doubt it at this point.
You're attempting to be provocative?

I'd never do that. :emoji_astonished:
 

Gavin

Member: Rank 6
VIP
So I finally got to sit down last night and watch the second episode. Still moving along quite slowly and we're gradually being given more information as we go. We get to meet Avon for the first time and he's got just the right amount of cynicism for me to like him. We're beginning to see the gradual coming together of the 7 (which leads me to the question, is it Blake plus 6 others making Blake's 7? Or is it Blake and 7 others with the others being Blake's 7?) The attempt at taking over the ship was pretty predictable, and I'm astonished that the crew wasn't a bit more prepared for it. The guard in with the prisoners was definitely a bit of an idiot, given how obvious Vila was with his "just turn this direction and watch my magic trick" ploy. Then there's a mysterious space battle on their route. Who's fighting who? Is this an ongoing conflict or a one of skirmish just to set up the mysterious abandoned ship? The ship is holed and we're introduced to the sealant - obviously someone is going to die while in the crawlways and the ship gets holed again. And sure enough Nova volunteers to go after Avon (who I already knew was safe). As soon as he volunteered I knew he was dead (and what an awful way to die). Before that I'd half assumed he'd be one of the 7, given he was one of the few prisoners so far with speaking roles.

Meanwhile Avon gains control of the computer, following a fight that should have been unnecessary if he'd just tied up the crewman like someone of his supposed intelligence should have and the prisoners go off in search of the armory. They're captured solely due to Vila's idiocy (will he continue to be such a liability in the future?). With Blake, Jenna and Avon in control of the computer, Raiker gets permission to "take whatever action is necessary", which lost me a lot of respect for the Captain, who up to that point had been a reasonable authority figure. There's no way he didn't have some inkling of what Raiker was planning so the deaths of the prisoners is just as much his responsibility as Raiker.

Finally we meet the mysterious ship from the opening credits. And it is huge. I had no idea how big it was until we saw the London alongside it. Blake, Jenna and Avon are sent to rescue the missing crewmen who have boarded the ship (they're dead you idiots) and find a mysterious light thingy on the wall that attracts them with memories. Blake is able to resist (a side affect of his implanted memories?) and shoots the light and it disappears and they steal the ship (killing Raiker). So now we've got Blake and 2 of his crew with their ship and they're following the London to rescue the rest of the prisoners, some of whom I assume will be added to the crew.

Overall an interesting episode, which starts to set up the main players for the ongoing story. Still moving along slowly but not unreasonably so. There's no obvious padding and everything seems to add to the story. I'm definitely hooked and want to see where the story is going from here.

I'll give this one 8 out of 10.
 

Gavin

Member: Rank 6
VIP
The brief look at the London we get is good, it looks functional as prison transport probably should. I'm not keen on the little smoke sparkler to indicate the engines. It doesn't make much sense in space and I think it would work better without it.
Yeah I thought that was pretty awful. Given the limited effects budget they had they could have saved themselves some money and just blurred the stars or something. Using something that looks like chemical propulsion to power a ship that has to be travelling faster than light was just silly.

Leylan is a convincing commander, he tolerates Raiker's actions to a point but will reprimand him when he oversteps the mark.
And yet he gives permission to Raiker to kill prisoners in order to compel Blake and the others to surrender. I find it impossible to believe he didn't have any idea what Raiker would do.

I wonder if he finds Raiker useful to do the unpleasant things and then he can distance himself from the results. Overall he is a nice multifaceted character, he does some decent things but then turns a blind eye or even sanctions some terrible things.
And in my opinion that makes him every bit as bad as Raiker, regardless of how nice he seems.

The contrast between Blake and Avon is apparent from their first musings about the ship they've acquired.
BLAKE " with a ship like this and a full crew we can start fighting back"
AVON " This would be worth a fortune to the federation"
It will be interesting to see how that conflicting viewpoint plays out between them over the series.

But if he were a Capitalist instead, he would know that there's also the possibility of Producing wealth, which is how wealth is created in the first place.
I'm not sure I completely agree with that. Is wealth "created" or is it just transferred? Sure someone can "add value" to raw materials, but is there a net increase in wealth? If someone buys the added value material, their is an equal transfer of value. I agree that people's overall wealth can increase but I'd dispute that it's wealth creation. I'd suggest that somewhere there's an equal reduction in wealth, even if it's natural resource wealth that's not "owned" by any individual person.

Anyway, our trio of heroes/misfits try to start a mutiny, but Raker, the bad guy, does what bad guys do and start killing te prisoners one by one until Blake surrendered. And it becomes clear that Avon wouldn't have surrendered. Well, I happen to agree with him as far as that is concerned. If the prisoners started dying on my screen I'd consider that awfully said and unfortunate and I would end their families my thoughts and prayers, but I'd also say, "Hey, I'm not killing those men, you are! I have absolutely nothing to do with your decisions." In other words, never give in to terrorists.
I'd also agree with Avon. Given that Raiker killed another prisoner after they surrendered, what guarantee did they have that surrendering wouldn't just result in their execution (which they'd already been advised was an option).

Avon wouldn't come back for her, but Blake surely would. But no, instead, they had no reason to stay so they stole the ship. Clever, Commander.
Actually I was a bit surprised that they left anyway. I honestly had thought that Blake would try to rescue the other prisoners then and there. Maybe the commander also thought they wouldn't leave without the others?
 

Brimfin

Member: Rank 3
The story picks up right where it left off last week – Blake on his way to the penal colony and confined to his chair. An eight month trip, too; but that’s realistic.

Let’s start with the crew of the transport ship. Typical stereotyped characters. Captain like Bligh, crew like a pirate ship – all determined to make life Hell for the prisoners. That’s exactly what we didn’t see here. In fact, the show opens with the crew making their preparations for the long flight, complaining about the ship’s poor maintenance by the bureaucracy. One of them is studying to be a captain so he won’t be forever stuck on transports ships like this. He starts to say this without thinking then stops, but the captain is okay with it and actually encourages him to study hard and improve his lot. In short, these all seem like decent people trying to do their jobs – the kind of people you’d like on your payroll. This show is clearly not going to be a Federation employees all bad; Blake good situation.

One of the crew, Raiker, does turn out to be a bad egg. He reminds the convicts that they are all dirt and will have few privileges. After he’s told by the captain to be discreet about the woman prisoner he not so discretely propositions her. She whispers something in his ear – probably for him to go f himself – and he smacks her hard. I like that she doesn’t rub her face until after he has left; she doesn’t want to show any weakness in front of him.

One of the convicts turns out to be the equivalent of a modern-day computer hacker. One of the prisoners is a tough woman, Jenna Stannis, who can pilot a spaceship. (Shades of Melinda May on AGENTS OF S.H.I.E.L.D.) The automatic doors work on palm scans. Seriously – this was made 40 years ago? Some very forward thinkers involved.

We start to see Blake’s skills at organizing come into play as he recruits the hacker Kerr Avon to try to take over the ship. The pace is steady, not breakneck like so many shows today (and it’s usually not good, believe you me). At one point we see Blake climbing through the ventilation system in the ship with no explanation of how he got there. But then shortly afterward we see them create a diversion to get him back out, thus showing us the process. (One of the show’s few weak points; the diversion is one of the convicts doing sleight of hand with the guard. That might work once, but not repeatedly as they seem to imply.) Kerr is successful at hacking the ship’s controls although Blake has to improvise their escape from their quarters by forcing the guard to use his palm print. Again, clever that first he tries to ball up his fist to stop them, but he’s reminded that they only need his hand – does he wish to keep it attached? That does the trick without violence.

In the end, the plan is a failure. They do take over the ship’s controls, but then the rest of the convicts are captured – helped by a dunderhead convict who drops his own weapon instead when the large convict is calling for the guard to drop his. Raiker gets permission from the Captain to take any measures he can to get Blake and Kerr out of the computer control room. So he lines up the convicts and threatens to shoot one every 30 seconds until Blake caves. Blake does so immediately to stop the killing, showing strength of character. Raiker meanwhile deliberately kills one more man after Blake has fully surrendered. He taunts Blake that he could have won if he’d just shown some guts. It’s a pleasure to see Raiker get sucked into space at the end of the show.

Again, the captain shows character of his own by telling Raiker he crossed the line and will be reported. Raiker tries to tell the Captain that he was the one who gave him full authority to do it. The report will tell what we all did and said, including me, the captain assures him. Speaking of other characters not being just black or white, Kerr chides Blake for caving in as well. I did my job, he protests, you didn’t do yours.

Fate intervenes in the guise of a large derelict spacecraft found nearby. Tempted by the tons of credits they could earn by bringing such a ship in, the captain sends three men out to it only to investigate only to have them attacked by some unseen force. He’s about ready to give up when Raiker suggests using the convicts to check it out. So Blake, Jenna and Kerr get to go on board and fight the ship’s brain-like defense which projects images of people and uses them against you. Blake with all his brainwashing and conditioning is able to tell it isn’t real and switch the defense shield off. Our threesome try to leave with the ship but Raiker has other plans. Fortunately after he shoots Blake, Kerr and Jenna get the ship moving closing the hatch door and leaving Raiker caught in the transport tube as the ship pulls away and giving him a free ride into the vacuum of space.

So, thus far we have Blake’s 2 – Jenna and Kerr (or 3 if Blake is one of the 7). Who will be next? One of the other convicts, possibly – since Blake is determined to follow the ship and try to rescue the others. I look forward to finding out.

Weak points: The aforementioned diversion. Also the unnecessary subplot of some poor convict going after Kerr in the ventilation area only to get caught when the ship’s hull is punctured and he is killed. The whole brain defense system of the ship is a little weak on the delivery. But overall, still a strong storyline. I’ll give this another 8/10 rating.
 

Gavin

Member: Rank 6
VIP
An eight month trip, too; but that’s realistic.
It's one of the few space based shows where they are vaguely realistic about travel times. Space is so huge that even with faster than light speed, travel will still take a long time. Even at 10 times the speed of light it would take 6 months to get to Proxima Centauri (our closest star). Even allowing for higher multiples of light speed a travel time of 8 months isn't unreasonable.

Deneb (the star designated Alpha Cygni in the Cygnus constellation) is 2616 light years away. Assuming its the same star that they're travelling to, a travel time of 8 months suggests (if my math is correct) a speed of almost 4000 times the speed of light.
 

Gavin

Member: Rank 6
VIP
Ironically what such shows and many comics fail to acknowledge is that if a character has such remarkable hacking skills, perhaps he could make, instead, a lot of money legally?
That's very true. I wonder if this suggests that, despite his comments, it's not completely about the money? There's possibly some other motivation that's driving him - a desire for danger? wanting to hit back at the system?
 
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