I really enjoy BENEATH THE PLANET OF THE APES, with Brent and Nova searching for Taylor. I also like the underground civilization and the introduction of the mutant Humans. However, I must say that ESCAPE FROM THE PLANET OF THE APES is probably my favourite film of the series.Funnily enough, this is my favourite sequel, although I strongly like ESCAPE also.
"In one of the countless billions of galaxies in the universe lies a medium-sized star. And one of its satellites, a green and insignificant planet, is now dead."It seems just a little bit mad and then there is that ending!
It stills beats going to church in real life.I like the off-the-wall nihilism of it and the crazy mutants and their organ-accompanied hymns in the church.
And yet there were sequels to both films. And I enjoyed both films and their sequels.Maybe I just like it because, like Alien 3, it seems to go out of it's way to make another sequel impossible. which goes against the grain of most Hollywood crowd-pleasers.
It's an important film in the series. It's just a shame that the film series didn't end after four films. The fifth one is definitely the weak link...It is just different and I like it for it's bleak difference.
Personally, I think this is one of the better sequels. And in some ways I think it is the most legitimate sequel, since it is the only sequel set on the same Planet of the Apes as the first film. Although they did screw up the year which was, IIRC, 3,978 in the original and 3,955 in "Beneath".Your thoughts on this controversial sequel?
A strong continuation of the saga?
Or a misstep?
All of the sequels in that film series are equally legitimate. They just vary in quality.Personally, I think this is one of the better sequels. And in some ways I think it is the most legitimate sequel, since it is the only sequel set on the same Planet of the Apes as the first film. Although they did screw up the year which was, IIRC, 3,978 in the original and 3,955 in "Beneath".
I meant legitimate in the sense that, other than "Beneath", none of the other sequels are set on the same "Planet of the Apes" that Taylor (Charlton Heston) visited in the first film.All of the sequels in that film series are equally legitimate. They just vary in quality.
It is the same PLANET OF THE APES - simply at a different point in time. The entire film series follows a circular trajectory through time. It ends at a similar point in time as when it began.I meant legitimate in the sense that, other than "Beneath", none of the other sequels are set on the same "Planet of the Apes" that Taylor (Charlton Heston) visited in the first film.
They are all set on a PLANET OF THE APES.The rest of sequels are legitimate, but none of them take place on a "Planet of the Apes". In "Escape" the humans are firmly in charge. In "Conquest", despite Caesar's revolt, the humans are still in charge of the planet. In "Battle" things end with apes and humans living together in peace.
You could interpret it that way. However, I would argue that the events of "Beneath"/"Escape" altered the timeline - which Virgil describes in "Battle" as an infinite number of lanes from the past to the future.All of the films from the series are set on the same PLANET OF THE APES - simply at different times in its evolution.
Any alterations where simply minor details. The major events which shaped the overall timeline still occurred.You could interpret it that way. However, I would argue that the events of "Beneath"/"Escape" altered the timeline - which Virgil describes in "Battle" as an infinite number of lanes from the past to the future.
The important thing was that one day an Ape said, "No" for the first time. Ultimately, the name of the Ape is immaterial. The last time through the temporal cycle, it was a male named Aldo, this time through the temporal cycle, it was a female named Lisa. The next time through the temporal cycle, it might be another Ape - of either gender - called something else. The only thing that really matters is that a day will come when an Ape will say: "No" for the first time.In "Escape" Cornelius relates future history where an ape named Aldo was the first ape to speak and say "No!" back to a human. And yet in "Conquest" events unfold differently and Lisa is the first ape to speak and say "No".
Why not?"Battle" ends with the Lawgiver teaching a class comprised of ape and human children. Is this really supposed to be the same Lawgiver who is quoted in the first film as writing, "Beware the beast man, for he is the devil's pawn."?
The Lawgiver of the original POTA had a highly prejudiced attitude against mankind, e.g., "Shun him, for he is the harbinger of death." It seems unlikely to me that same individual could embrace peaceful coexistence with humans at one time, and then hate them so much later.Why not?
We don't know what happened 5 minutes after the events which we saw chronicled in that film. Let alone 5 years - or 5 decades for that matter. Just about anything could have happened at some point afterwards and we have no idea how the individual known as "the Lawgiver" might have reacted to it.
It is entirely possible.The Lawgiver of the original POTA had a highly prejudiced attitude against mankind, e.g., "Shun him, for he is the harbinger of death." It seems unlikely to me that same individual could embrace peaceful coexistence with humans at one time, and then hate them so much later.
I didn't say it was impossible. But it seems unlikely to me.It is entirely possible.
It simply takes the right circumstances.
From "Monster Party's" POTA episode, an appreciation of the first sequel's ballsy apocalyptic finale.
This surprisingly downbeat first of four sequels remains the most profitable of the Apes series, primarily due to its comparatively low budget. None-too-subtle anti-Vietnam war undertones waft through writer Paul Dehn's‚ subterranean ‚ rehash of the original, enhanced with the addition of nuclear warhead-worshipping‚ mutant heavies.