Detective Tom Patterson and Sergeant Frost are idling the time away in their local countryside police station, nothing to do, when in runs a woman, distressed, scared, confused, she wants to report a murder.
Tom takes her into the interview room, she confesses to killing a girl called Jill.
Tom asks her name, but she can't remember, all she can remember is bits and pieces of the killing.
It had to happen at midnight, Tom asks why then, the lady answers it isn't the time that's important, it's the clock. At the stroke of 12 the grandfather clock goes haywire, it makes a loud racket, noise enough to cover the breaking of the lock. Tom asks," why must you break a lock?"
She replies, " to make it look like a burglary, there's lots of valuable glass in the house, some of it priceless".
Other bits of the plot to murder Jill are revealed, but the lady is confused and telling this plot in sporadic outbursts in between crying. Apparently there's a phone call, that gives her accomplice an alibi to leave the house, an alley is involved somewhere, the phone wires are cut, Jill will be alone and helpless, also hollow voices.
Tom writing all this down, " hollow voices? What do you mean?"
She cries out " hollow voices, why won't they stop, I don't want to hear them."
Bartok the classical composer is mentioned.
Tom intrigued, " what about Bartok?"
" it's the loudest , has to be Bartok, it will drown out her screams. "
Tom now asks the big question, " how did you kill her, this Jill?"
" the poker from the fireplace of course."
Tom takes her into the interview room, she confesses to killing a girl called Jill.
Tom asks her name, but she can't remember, all she can remember is bits and pieces of the killing.
It had to happen at midnight, Tom asks why then, the lady answers it isn't the time that's important, it's the clock. At the stroke of 12 the grandfather clock goes haywire, it makes a loud racket, noise enough to cover the breaking of the lock. Tom asks," why must you break a lock?"
She replies, " to make it look like a burglary, there's lots of valuable glass in the house, some of it priceless".
Other bits of the plot to murder Jill are revealed, but the lady is confused and telling this plot in sporadic outbursts in between crying. Apparently there's a phone call, that gives her accomplice an alibi to leave the house, an alley is involved somewhere, the phone wires are cut, Jill will be alone and helpless, also hollow voices.
Tom writing all this down, " hollow voices? What do you mean?"
She cries out " hollow voices, why won't they stop, I don't want to hear them."
Bartok the classical composer is mentioned.
Tom intrigued, " what about Bartok?"
" it's the loudest , has to be Bartok, it will drown out her screams. "
Tom now asks the big question, " how did you kill her, this Jill?"
" the poker from the fireplace of course."
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