A good episode.
I thought that the historical pageant was going to be the central focus of the tale, but instead we got pulled away on a side quest for Catweazle to locate Adamcos, his knife. Visiting a location to retrieve something of value has been used three times now. Photographs, Touchwood and now Adamcos. It's a neat storytelling device, and I suspect one we will continue to see more of.
As soon as Carrot's father got to the antique shop, with a name on the sign, my immediate thought was of which famous face we would see in charge of the shop. I was not expecting to see Aubrey Morris as a stereo-typically gay character, played very much in the gay comic-shorthand of the time.
It does, however, put me in the painful position of reconciling this episode with
WICKER MAN continuity.
Is it even feasible that the bloke who crooned "Minister!? Minister!?" to Seargant Howie suddenly decided to quit that crazy island and move to a small rural area in sunny Britain, while embracing his true self at the same time?
I say yes. And it is a better sequel than
THE WICKER TREE, at least.
One gets the sense from this episode that Carrot is fully used to Catweazle's hyper-reactions to everything now and the scene where he takes Catweazle's insults in his stride, while showing how fond he is of the irate wizard is quite well done.
I was surprised that Catweazle seems to be encountering his first mirror. Ever. Have none of the houses he has been to have one?
I laughed aloud at the tomb/mummy case thing sliding down and hitting the floor, knowing that Catweazle was in it. Maybe it's just me?
I think that the show is composed of moments like this. Charming and amusing moments.
And so the episode ends, as we knew it would, with all well and the knife retrieved.
I would say that, with this one, the show has found it's standard episode, using the above "retrieving something" plot.
I won't knock it for that.
And so it gets from me a standard, but respectable....
Grade B+